Le Grand Jeu
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Some objects are impossible to throw away and useless to keep. A ticket stub, a broken earring, a key to a door that no longer exists. That is where Alisa Cayoo starts. The Paris-based designer builds one-of-a-kind chains out of found and sentimental objects — the name comes from cailloux, the pebbles you pick up and […]
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Gothic script was never meant to travel. It was built for Northern European scribes, carried to Spain, then loaded onto ships — and once it reached Mesoamerica it stopped behaving like a European alphabet. Blackletter absorbed whatever it landed in: colonial signage, devotional imagery, tattoo culture, the walls of Mexico City and the barrios of […] |
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An MC warms up a crowd, somewhere in Namur, some year in the nineties: three letters, a group you don't need introducing, NBS, make some noise. That tape still exists, and so does the crew. Namur Break Sensation have been at it for thirty-five years, which in b-boy terms is closer to a geological era […] |
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Before Homecore, there was a kid from the banlieue raised the hard way, with street culture as a first language. That kid was Alexandre Guarneri. Thirty years after founding one of French hip-hop's defining labels, he has gone back through his own story to ask how you take apart what you were taught in order […] |
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Philadelphia has never had the mainstream aura of New York, and its writing has stayed largely off the record. Yet few cities have produced a scriptural texture of their own — a shared way of shaping letters that goes beyond the individual signature. Some local writers call this American metropolis "Whip City": in the sense […] |
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On Saturday, 3 October, Le Grand Jeu hands the shop over to the rapper Oreall for a one-day pop-up. It's his first time meeting his Paris audience in person, and the format is deliberately simple. Come by, talk, listen, and leave with a piece of the project. On the table: his CD Bathroom Problems, a […] |
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