book launch
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Gothic script was never meant to travel. It was built for Northern European scribes, carried to Spain, then loaded onto ships — and once it reached Mesoamerica it stopped behaving like a European alphabet. Blackletter absorbed whatever it landed in: colonial signage, devotional imagery, tattoo culture, the walls of Mexico City and the barrios of […] |
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La Chamba is what work is called across much of Latin America: the job, the hustle, the thing that fills the day and quietly organises everything around it — streets, houses, landscapes, and the very places tourism turns into scenery. Dorian André spent seven months between Mexico, Guatemala and Nicaragua photographing exactly that. A graphic […] |
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An MC warms up a crowd, somewhere in Namur, some year in the nineties: three letters, a group you don't need introducing, NBS, make some noise. That tape still exists, and so does the crew. Namur Break Sensation have been at it for thirty-five years, which in b-boy terms is closer to a geological era […] |
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Before Homecore, there was a kid from the banlieue raised the hard way, with street culture as a first language. That kid was Alexandre Guarneri. Thirty years after founding one of French hip-hop's defining labels, he has gone back through his own story to ask how you take apart what you were taught in order […] |
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Capuzzelle are the anonymous skulls of Naples: for centuries, in the ossuaries and cemeteries of the city, the living would adopt one, give it a name and pray for its soul, in the hope that the favour might be returned. Andrea d'Avossa spent 2025 walking the Cimitero Monumentale di Poggioreale on that principle, though what […] |
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Philadelphia has never had the mainstream aura of New York, and its writing has stayed largely off the record. Yet few cities have produced a scriptural texture of their own — a shared way of shaping letters that goes beyond the individual signature. Some local writers call this American metropolis "Whip City": in the sense […] |
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