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Beneath the polished surface of contemporary graphic culture, another current is running, built from subconscious flashes, half-formed creatures, and the unruly energy of underground illustration. Grazy Homeworks Vol. 1 lives right there, in that liminal space where imagery doesn’t need permission to exist: a visual terrain shaped by surreal impulses, childhood echoes, and the kind […] |
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Beneath the political noise of post-Thatcher Britain, another story was unfolding — written in marker pens, DIY flyers and illegal raves. Ghosts in the Machine, published by Alias Press, explores how a generation of disenfranchised youth found identity and cohesion through graffiti and rave culture, resisting the era’s social and political divides. Told by participant […] |
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Before the light became his language, Antoine Plainfossé was just a teenager with a camera, quietly collecting fragments of the world: hands, eyes, streets, shadows. Towards the Light brings together fourteen years of those moments, from Paris to Miami, expanding on his first solo show Hidden Views and tracing the slow formation of an inner […] |
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Before Calligraffiti became a global language, there was just a kid from Amsterdam filling a black book with tags, outlines, and borrowed tricks from the masters. Shoe’s Black Book − Graffiti in the 1980s is the facsimile of that raw beginning: the years 1985–1987, when Niels Shoe Meulman learned, absorbed, imitated, failed, tried again — […] |
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In a city where walls remember more than archives, some images return to the street to restore what time tries to erase. Since 2021, the collective 12/12 has been creating twelve murals across Paris and its suburbs in tribute to the rapper Népal and his album Adios Bahamas. Born from grief and friendship, these works […] |
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Some figures return like markers on a map: traces of where a culture first learned to move. In the mid-80s Paris HIP-HOP scene, graffiti, dance, and rap were one and the same. DIKSA (GT–TNB) grew up inside that momentum, shaping a graphic style as coded as it is enduring. His first fanzine, My definition of […] |
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