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DTSTART;TZID=Europe/Paris:20260905T160000
DTEND;TZID=Europe/Paris:20260905T190000
DTSTAMP:20260913T091040
CREATED:20260821T134652Z
LAST-MODIFIED:20260821T135604Z
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SUMMARY:Silly Little Projects Vol. II — D.I.Y. Trying
DESCRIPTION:Some objects are impossible to throw away and useless to keep. A ticket stub\, a broken earring\, a key to a door that no longer exists. \nThat is where Alisa Cayoo starts. The Paris-based designer builds one-of-a-kind chains out of found and sentimental objects — the name comes from cailloux\, the pebbles you pick up and pocket without knowing why. She joins Silly Little Projects\, the London magazine founded by Lucy Murrey\, for an afternoon of collective chain-making at the shop. \nBring your own objects\, charms or tiny treasures — or pick from the collection on the table — and turn them into a keychain or bag charm that is yours alone. Materials and wine are provided. \nThe session also marks the arrival of Silly Little Projects Vol. II: D.I.Y. TRYING\, a DIY-couture catalogue and activity book that argues\, in an age of passive scrolling\, that trying too hard is worth defending. Places are limited and booking is required. \n📖 Silly Little Projects Vol. II — DIY Jewellery Workshop with Alisa Cayoo\n🗓 Saturday\, September 5th | 🕓 4 – 7 P.M.\n📍 Le Grand Jeu\, 15 passage de Ménilmontant\, Paris 11\n🎟 Tickets: €35\, or €50 with a copy of the magazine
URL:https://journal.legrandj.eu/event/silly-little-projects-vol-ii-d-i-y-trying/
LOCATION:Le Grand Jeu\, 15\, passage de Ménilmontant\, Paris\, 75011\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260910T180000
DTEND;TZID=Europe/Paris:20260910T210000
DTSTAMP:20260913T091040
CREATED:20260822T173803Z
LAST-MODIFIED:20260822T175849Z
UID:10000098-1789063200-1789074000@journal.legrandj.eu
SUMMARY:Métamorphe — From Blackletter to Cholo
DESCRIPTION:Gothic script was never meant to travel. It was built for Northern European scribes\, carried to Spain\, then loaded onto ships — and once it reached Mesoamerica it stopped behaving like a European alphabet. Blackletter absorbed whatever it landed in: colonial signage\, devotional imagery\, tattoo culture\, the walls of Mexico City and the barrios of the American Southwest. What came back out was something else entirely — góticas mexicanas\, and the Cholo writing that shaped a large part of how West Coast letters look today. \nLola Raingard follows that drift across two continents. Métamorphe / Shape-shifter is research as much as picture book: it tracks how a script adapts and hybridises the further it gets from home\, and pairs the argument with the author’s own photographs alongside public-domain images documenting these gothic manifestations. Bilingual French and English throughout. \n📖 Métamorphe / Shape-shifter by Lola Ringard zine launch\n🗓 Thursdat\, September 10th | 🕓 6 – 9 P.M.\n📍 Le Grand Jeu\, 15 passage de Ménilmontant\, Paris 11
URL:https://journal.legrandj.eu/event/2220/
LOCATION:Le Grand Jeu\, 15\, passage de Ménilmontant\, Paris\, 75011\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260918T180000
DTEND;TZID=Europe/Paris:20260918T210000
DTSTAMP:20260913T091040
CREATED:20260829T154728Z
LAST-MODIFIED:20260907T124653Z
UID:10000101-1789754400-1789765200@journal.legrandj.eu
SUMMARY:La Chamba — Work\, Travel & the Tourist's Gaze
DESCRIPTION:La Chamba is what work is called across much of Latin America: the job\, the hustle\, the thing that fills the day and quietly organises everything around it — streets\, houses\, landscapes\, and the very places tourism turns into scenery. Dorian André spent seven months between Mexico\, Guatemala and Nicaragua photographing exactly that. A graphic designer who uses photography as a research tool\, he shot\, edited and laid out this first book alone\, and he photographs from where he actually stands\, as a traveller passing through\, making that position part of the subject rather than hiding it. He calls La Chamba a first chapter: the beginning of a longer look at work as a way of life. \nDorian André will be at the shop all evening to sign copies\, alongside a selection of prints from the book shown on the ground floor — one large poster and four framed prints. La Chamba is self-published in an edition of 60 copies\, each numbered and signed: 210 × 260 mm\, 148 pages\, PUR binding\, four-colour throughout\, text in French and Spanish\, €20. \n📚 La Chamba — Dorian André\n📅 Friday 18 September 2026 | 6pm – 9pm\n📍 Le Grand Jeu\, 15 passage de Ménilmontant\, 75011 Paris
URL:https://journal.legrandj.eu/event/la-chamba-work-travel-the-tourists-gaze/
LOCATION:Le Grand Jeu\, 15\, passage de Ménilmontant\, Paris\, 75011\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260919T160000
DTEND;TZID=Europe/Paris:20260919T190000
DTSTAMP:20260913T091040
CREATED:20260822T101636Z
LAST-MODIFIED:20260822T172420Z
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SUMMARY:Trente-Cinq — Three Letters from Namur
DESCRIPTION:An MC warms up a crowd\, somewhere in Namur\, some year in the nineties: three letters\, a group you don’t need introducing\, NBS\, make some noise. That tape still exists\, and so does the crew. Namur Break Sensation have been at it for thirty-five years\, which in b-boy terms is closer to a geological era than a career. Trente-Cinq\, published by Wal’Style\, is what they pulled out of the boxes to mark it — 68 pages in black and white\, A5\, written by Guillaume Roose and designed by Julien Roose. Flyers\, photographs\, jams\, faces. Not a monument\, more a crew talking among themselves and letting you listen in. \nBelgian hip-hop rarely gets told from the inside\, and almost never from Wallonia. This does both\, without the grand claims that usually come with an anniversary book. \n📖 Trente-Cinq — 35 Years of Namur Break Sensation\, with Wal’Style and Jihef aka Rage 156\n🗓 Friday\, September 19th | 🕕 4 – 7 P.M.\n📍 Le Grand Jeu\, 15 passage de Ménilmontant\, Paris 11
URL:https://journal.legrandj.eu/event/trente-cinq-namur-break-sensation-at-the-bookshop/
LOCATION:Le Grand Jeu\, 15\, passage de Ménilmontant\, Paris\, 75011\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260925T180000
DTEND;TZID=Europe/Paris:20260925T210000
DTSTAMP:20260913T091040
CREATED:20260904T112346Z
LAST-MODIFIED:20260904T112346Z
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SUMMARY:Capuzzelle — Naming the Anonymous Dead
DESCRIPTION:Capuzzelle are the anonymous skulls of Naples: for centuries\, in the ossuaries and cemeteries of the city\, the living would adopt one\, give it a name and pray for its soul\, in the hope that the favour might be returned. Andrea d’Avossa spent 2025 walking the Cimitero Monumentale di Poggioreale on that principle\, though what he brought back is neither devotion nor nostalgia but an inventory — a frontal\, serial photographic typology of the skulls carved and forged into the graves themselves. His accomplice Mathieu Imbert then took over the naming: Francky\, Karl\, Clitandre\, Amenhotep III and poor Maxime\, hand-stamped onto the page with an irony that is tender and faintly absurd. \nAndrea d’Avossa comes up from Naples for the evening and will be at the shop to sign copies\, with the full run available. Capuzzelle is published by Top Fanzine Editions in an edition of 60 numbered copies\, each blistered with a stamped photographic print: A6\, 32 pages\, black and white\, Arena Rough paper\, hand-stamped text\, hand-stitched binding\, text in French and Italian\, €15. \n📚 Capuzzelle — Andrea d’Avossa & Mathieu Imbert\n📅 Friday 25 September 2026 | 6pm – 9pm\n📍 Le Grand Jeu\, 15 passage de Ménilmontant\, 75011 Paris
URL:https://journal.legrandj.eu/event/capuzzelle-naming-the-anonymous-dead/
LOCATION:Le Grand Jeu\, 15\, passage de Ménilmontant\, Paris\, 75011\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20261002T180000
DTEND;TZID=Europe/Paris:20261002T210000
DTSTAMP:20260913T091040
CREATED:20260824T085858Z
LAST-MODIFIED:20260828T145933Z
UID:10000099-1790964000-1790974800@journal.legrandj.eu
SUMMARY:Philadelphia Graffiti Handstyles — Street Penmanship\, from Gangster Prints to Wickeds
DESCRIPTION:Philadelphia has never had the mainstream aura of New York\, and its writing has stayed largely off the record. Yet few cities have produced a scriptural texture of their own — a shared way of shaping letters that goes beyond the individual signature. Some local writers call this American metropolis “Whip City”: in the sense used in boxing or dancing\, the whip is the energy pushed into a stroke to get speed and consistency at once. Named “Gangster Prints” when they first appeared in the mid-to-late 1960s\, the old Philly hands have since branched into a whole family of variants\, developed on walls and refined on paper. \nIn the spring of 2023\, French graphic designer and architect François Chastanet spent time in the streets of Philadelphia with his camera. He also sat down for notebook lettering sessions with writers from several generations — a rare look at the preparatory work that happens before anything reaches a wall. The result traces the ongoing evolution of the city’s handstyles\, with particular attention to the condensed\, monumental “Tall Hands” and the “Wickeds”\, elaborate wild-style signatures that demand exceptional control and exist nowhere else. Chastanet has been doing this kind of close visual analysis for two decades\, from Pixação: São Paulo Signature to Cholo Writing: Latino Gang Graffiti in Los Angeles and Dishu: Ground Calligraphy in China. \nPhiladelphia Graffiti Handstyles: An Exploration in The Early 2020s gathers 125 color photographs and diagrams across 160 hardcover pages in a large 24×36 cm format\, with a foreword by Philadelphia writer and researcher Sam Meyerson aka CURVE — co-author\, with Bret Syfert\, of the Tallhand & Punchline fonts and manual — and an essay by Chastanet himself. Le Grand Jeu invites you to the Paris launch\, with the author present to sign copies. \n📖 Philadelphia Graffiti Handstyles by François Chastanet — book launch\n🗓 Friday\, October 2 | 🕕 6 – 9 P.M.\n📍 Le Grand Jeu\, 15 passage de Ménilmontant\, Paris 11
URL:https://journal.legrandj.eu/event/philadelphia-graffiti-handstyles-street-penmanship-from-gangster-prints-to-wickeds/
LOCATION:Le Grand Jeu\, 15\, passage de Ménilmontant\, Paris\, 75011\, France
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